THOUGH you be absent here, I needs must say
The Trees as beauteous are, and flowers as gay,
As ever they were wont to be ;
Nay the Birds rural musick too
Is as melodious and free,
As if they sung to pleasure you:
I saw a Rose-Bud ope this morn ; I’ll swear
The blushing Morning open’d not more fair.
How could it be so fair, and you away ?
How could the Trees be beauteous, Flowers so gay ?
Could they remember but last year,
How you did Them, They you delight,
The sprouting leaves which saw you here,
And call’d their Fellows to the sight,
Would, looking round for the same sight in vain,
Creep back into their silent Barks again.
Where e’er you walk’d trees were as reverend made,
As when of old Gods dwelt in every shade.
Is ‘t possible they should not know,
What loss of honor they sustain,
That thus they smile and flourish now,
And still their former pride retain ?
Dull Creatures! ’tis not without Cause that she,
Who fled the God of wit, was made a Tree.
In ancient times sure they much wiser were,
When they rejoyc’d the Thracian verse to hear ;
In vain did Nature bid them stay,
When Orpheus had his song begun,
They call’d their wondring roots away,
And bad them silent to him run.
How would those learned trees have followed you ?
You would have drawn Them, and their Poet too.
But who can blame them now ? for, since you’re gone,
They’re here the only Fair, and Shine alone.
You did their Natural Rights invade ;
Where ever you did walk or sit,
The thickest Boughs could make no shade,
Although the Sun had granted it :
The fairest Flowers could please no more, neer you,
Then Painted Flowers, set next to them, could do.
When e’er then you come hither, that shall be
The time, which this to others is, to Me.
The little joys which here are now,
The name of Punishments do bear ;
When by their sight they let us know
How we depriv’d of greater are.
‘Tis you the best of Seasons with you bring ;
This is for Beasts, and that for Men the Spring

A few random poems:
- Robert Burns: Lines Inscribed In A Lady’s Pocket Almanac:
- Neighing at the Slope by Mahmoud Darwish
- Au Bal poem – Aleister Crowley poems | Poetry Monster
- Forbidden Fruit by Michael Lally
- Songs of Joy by William Henry Davies
- Иван Киуру – Человек
- Though All The World poem – Alfred Austin
- Le Verbe Etre poem – Andre Breton poems
- Sonnet: Oh! How I Love, On A Fair Summer’s Eve poem – John Keats poems
- Dinner in a Quick Lunch Room by Stephen Vincent Benet
- Виктор Гончаров – Прощайте, спасибо
- Let The Weary World Go Round poem – Alfred Austin
- The Source by W. S. Merwin
- Before Summer Rain by Rainer Maria Rilke
- Song—The Birks of Aberfeldy by Robert Burns
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Sonnet 20: A woman’s face with Nature’s own hand painted by William Shakespeare
- Sonnet 1: From fairest creatures we desire increase by William Shakespeare
- Sonnet 19: Devouring Time blunt thou the lion’s paws by William Shakespeare
- Sonnet 18: Shall I compare thee to a summer’s day? by William Shakespeare
- Sonnet 17: Who will believe my verse in time to come by William Shakespeare
- Sonnet 16: But wherefore do not you a mightier way by William Shakespeare
- Sonnet 15: When I consider every thing that grows by William Shakespeare
- Sonnet 154: The little Love-god lying once asleep by William Shakespeare
- Sonnet 153: Cupid laid by his brand and fell asleep by William Shakespeare
- Sonnet 152: In loving thee thou know’st I am forsworn by William Shakespeare
- Sonnet 151: Love is too young to know what conscience is by William Shakespeare
- Sonnet 150: O from what power hast thou this powerful might by William Shakespeare
- Sonnet 14: Not from the stars do I my judgement pluck by William Shakespeare
- Sonnet 54: O, how much more doth beauty beauteous seem by William Shakespeare
- Sonnet 53: What is your substance, whereof are you made by William Shakespeare
- Sonnet 52: So am I as the rich whose blessèd key by William Shakespeare
- Sonnet 51: Thus can my love excuse the slow offence by William Shakespeare
- Sonnet 50: How heavy do I journey on the way by William Shakespeare
- Sonnet 4: Unthrifty loveliness, why dost thou spend by William Shakespeare
- Sonnet 49: Against that time, if ever that time come by William Shakespeare
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Abraham Cowley (1618 – 1667), the Royalist Poet.Poet and essayist Abraham Cowley was born in London, England, in 1618. He displayed early talent as a poet, publishing his first collection of poetry, Poetical Blossoms (1633), at the age of 15. Cowley studied at Cambridge University but was stripped of his Cambridge fellowship during the English Civil War and expelled for refusing to sign the Solemn League and Covenant of 1644. In turn, he accompanied Queen Henrietta Maria to France, where he spent 12 years in exile, serving as her secretary. During this time, Cowley completed The Mistress (1647). Arguably his most famous work, the collection exemplifies Cowley’s metaphysical style of love poetry. After the Restoration, Cowley returned to England, where he was reinstated as a Cambridge fellow and earned his MD before finally retiring to the English countryside. He is buried at Westminster Abbey alongside Geoffrey Chaucer and Edmund Spenser. Cowley is a wonderful poet and an outstanding representative of the English baroque.