UPON HIS TWO FIRST BOOKS OF GONDIBERT
FINISHED BEFORE HIS VOYAGE TO AMERICA.
METHINKS heroick poesy till now,
Like some fantastick fairy-land did show;
Gods, devils, nymphs, witches and giants’ race,
And all but man, in man’s chief work had place.
Thou, like some worthy knight with sacred arms,
Dost drive the monsters thence, and end the charms:
Instead of those dost men and manners plant,
The things which that rich soil did chiefly want.
Yet ev’n thy Mortals do their Gods excel,
Taught by thy Muse to fight and love so well.
By fatal hands whilst present empires fall,
Thine from the grave past monarchies recall;
So much more thanks from human-kind does merit
The Poet’s fury than the zealot’s spirit.
And from the grave thou mak’st this empire rise,
Not like some dreadful ghost t’ affright our eyes,
But with more lustre and triumphant state,
Than when it crown’d at proud Verona sate.
So will our God rebuild man’s perished frame,
And raise him up much better, yet the same:
So God-like poets do past things rehearse,
Not change, but heighten, Nature by their verse.
With shame, methinks, great Italy must see
Her conquerors rais’d to life again by thee:
Rais’d by such pow’erful verse, that ancient Rome
May blush no less to see her wit o’ercome.
Some men their fancies like their faith, derive,
And think all ill but that which Rome does give;
The marks of Old and Catholick would find;
To the same chair would truth and fiction bind.
Thou in those beaten paths disdain’st to tread,
And scorn’st to live by robbing of the dead.
Since time does all things change, thou think’st not fit
This latter age should see all new but wit;
Thy fancy, like a flame, its way does make,
And leave bright tracks for following pens to take.
Sure ‘t was this noble boldness of the Muse
Did thy desire to seek new worlds infuse;
And ne’er did Heaven so much a voyage bless,
If thou canst plant but there with like success.

A few random poems:
- Юлия Жадовская – Говорят придет пора
- In The Forum poem – Alfred Austin
- what a poet must do by Raj Arumugam
- Colors by Stephen Vincent Benet
- Альфред Теннисон – Рыцарь Галаад
- Strumpet Song by Sylvia Plath
- Address spoken by Miss Fontenelle by Robert Burns
- Василий Жуковский – Элизиум
- Hymn To Apollo poem – John Keats poems
- Duino Elegies: The Fourth Elegy by Rainer Maria Rilke
- Nijole Miliauskaite – Nijole Miliauskaite
- Валерий Брюсов – К портрету Лермонтова
- Song, by a Person of Quality poem – Alexander Pope poems | Poetry Monster
- Sonnet 26: Lord of my love, to whom in vassalage by William Shakespeare
- Let me be to Thee as the circling bird poem – Gerard Manley Hopkins poems
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Sonnet 48: How careful was I, when I took my way by William Shakespeare
- Sonnet 47: Betwixt mine eye and heart a league is took by William Shakespeare
- Sonnet 46: Mine eye and heart are at a mortal war by William Shakespeare
- Sonnet 45: The other two, slight air and purging fire by William Shakespeare
- Sonnet 44: If the dull substance of my flesh were thought by William Shakespeare
- Sonnet 43: When most I wink, then do mine eyes best see by William Shakespeare
- Sonnet 42: That thou hast her, it is not all my grief by William Shakespeare
- Sonnet 41: Those pretty wrongs that liberty commits by William Shakespeare
- Sonnet 40: Take all my loves, my love, yea, take them all by William Shakespeare
- Sonnet 3: Look in thy glass, and tell the face thou viewest by William Shakespeare
- Sonnet 39: O, how thy worth with manners may I sing by William Shakespeare
- Sonnet 38: How can my Muse want subject to invent by William Shakespeare
- Sonnet 37: As a decrepit father takes delight by William Shakespeare
- Sonnet 36: Let me confess that we two must be twain by William Shakespeare
- Sonnet 35: No more be grieved at that which thou hast done by William Shakespeare
- Sonnet 34: Why didst thou promise such a beauteous day by William Shakespeare
- Sonnet 33: Full many a glorious morning have I seen by William Shakespeare
- Sonnet 74: But be contented when that fell arrest by William Shakespeare
- Sonnet 73: That time of year thou mayst in me behold by William Shakespeare
- Sonnet 72: O, lest the world should task you to recite by William Shakespeare
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Abraham Cowley (1618 – 1667), the Royalist Poet.Poet and essayist Abraham Cowley was born in London, England, in 1618. He displayed early talent as a poet, publishing his first collection of poetry, Poetical Blossoms (1633), at the age of 15. Cowley studied at Cambridge University but was stripped of his Cambridge fellowship during the English Civil War and expelled for refusing to sign the Solemn League and Covenant of 1644. In turn, he accompanied Queen Henrietta Maria to France, where he spent 12 years in exile, serving as her secretary. During this time, Cowley completed The Mistress (1647). Arguably his most famous work, the collection exemplifies Cowley’s metaphysical style of love poetry. After the Restoration, Cowley returned to England, where he was reinstated as a Cambridge fellow and earned his MD before finally retiring to the English countryside. He is buried at Westminster Abbey alongside Geoffrey Chaucer and Edmund Spenser. Cowley is a wonderful poet and an outstanding representative of the English baroque.