UPON HIS TWO FIRST BOOKS OF GONDIBERT
FINISHED BEFORE HIS VOYAGE TO AMERICA.
METHINKS heroick poesy till now,
Like some fantastick fairy-land did show;
Gods, devils, nymphs, witches and giants’ race,
And all but man, in man’s chief work had place.
Thou, like some worthy knight with sacred arms,
Dost drive the monsters thence, and end the charms:
Instead of those dost men and manners plant,
The things which that rich soil did chiefly want.
Yet ev’n thy Mortals do their Gods excel,
Taught by thy Muse to fight and love so well.
By fatal hands whilst present empires fall,
Thine from the grave past monarchies recall;
So much more thanks from human-kind does merit
The Poet’s fury than the zealot’s spirit.
And from the grave thou mak’st this empire rise,
Not like some dreadful ghost t’ affright our eyes,
But with more lustre and triumphant state,
Than when it crown’d at proud Verona sate.
So will our God rebuild man’s perished frame,
And raise him up much better, yet the same:
So God-like poets do past things rehearse,
Not change, but heighten, Nature by their verse.
With shame, methinks, great Italy must see
Her conquerors rais’d to life again by thee:
Rais’d by such pow’erful verse, that ancient Rome
May blush no less to see her wit o’ercome.
Some men their fancies like their faith, derive,
And think all ill but that which Rome does give;
The marks of Old and Catholick would find;
To the same chair would truth and fiction bind.
Thou in those beaten paths disdain’st to tread,
And scorn’st to live by robbing of the dead.
Since time does all things change, thou think’st not fit
This latter age should see all new but wit;
Thy fancy, like a flame, its way does make,
And leave bright tracks for following pens to take.
Sure ‘t was this noble boldness of the Muse
Did thy desire to seek new worlds infuse;
And ne’er did Heaven so much a voyage bless,
If thou canst plant but there with like success.

A few random poems:
- Burbank with a Baedeker: Bleistein with a Cigar by T. S. Eliot
- Epitaph on Captain Lascelles by Robert Burns
- Зинаида Александрова – Венок
- The Poor Lover to His Rich Mistress about to Marry His Coxcombly Rival by William Wycherley
- Николай Языков – Пушкину (О ты, чья дружба мне дороже)
- Let Him Free by Mary Etta Metcalf
- Владимир Корнилов – Сызнова
- A Mother’s Lament for her Son’s Death by Robert Burns
- Proclamation Without Pretension by Tristan Tzara
- Midsummer Mobile by Sylvia Plath
- Зинаида Александрова – Баиньки
- I Havent Betrayed You My Hometown
- Владимир Высоцкий – Королевский крокей
- About Face poem – Alice Fulton poems | Poetry Monster
- Inscription to Miss Graham of Fintry by Robert Burns
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Sonnet 94: They that have power to hurt and will do none by William Shakespeare
- Sonnet 93: So shall I live, supposing thou art true by William Shakespeare
- Sonnet 92: But do thy worst to steal thy self away by William Shakespeare
- Sonnet 91: Some glory in their birth, some in their skill by William Shakespeare
- Sonnet 90: Then hate me when thou wilt; if ever, now by William Shakespeare
- Sonnet 8: Music to hear, why hear’st thou music sadly? by William Shakespeare
- Sonnet 89: Say that thou didst forsake me for some fault by William Shakespeare
- Sonnet 88: When thou shalt be disposed to set me light by William Shakespeare
- Sonnet 87: Farewell! Thou art too dear for my possessing by William Shakespeare
- Sonnet 86: Was it the proud full sail of his great verse by William Shakespeare
- Sonnet 85: My tongue-tied Muse in manners holds her still by William Shakespeare
- Sonnet 84: Who is it that says most, which can say more by William Shakespeare
- Sonnet 83: I never saw that you did painting need by William Shakespeare
- Sonnet 82: I grant thou wert not married to my Muse by William Shakespeare
- Sonnet 81: Or I shall live your epitaph to make by William Shakespeare
- Sonnet 80: O, how I faint when I of you do write by William Shakespeare
- Sonnet 7: Lo, in the orient when the gracious light by William Shakespeare
- Sonnet 79: Whilst I alone did call upon thy aid by William Shakespeare
- Sonnet 78: So oft have I invoked thee for my Muse by William Shakespeare
- Sonnet 77: Thy glass will show thee how thy beauties wear by William Shakespeare
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Abraham Cowley (1618 – 1667), the Royalist Poet.Poet and essayist Abraham Cowley was born in London, England, in 1618. He displayed early talent as a poet, publishing his first collection of poetry, Poetical Blossoms (1633), at the age of 15. Cowley studied at Cambridge University but was stripped of his Cambridge fellowship during the English Civil War and expelled for refusing to sign the Solemn League and Covenant of 1644. In turn, he accompanied Queen Henrietta Maria to France, where he spent 12 years in exile, serving as her secretary. During this time, Cowley completed The Mistress (1647). Arguably his most famous work, the collection exemplifies Cowley’s metaphysical style of love poetry. After the Restoration, Cowley returned to England, where he was reinstated as a Cambridge fellow and earned his MD before finally retiring to the English countryside. He is buried at Westminster Abbey alongside Geoffrey Chaucer and Edmund Spenser. Cowley is a wonderful poet and an outstanding representative of the English baroque.