A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Now do our eyes behold
The tidings which were told:
Twin fallen kings, twin perished hopes to mourn,
The slayer, the slain,
The entangled doom forlorn
And ruinous end of twain.
Say, is not sorrow, is not sorrow’s sum
On home and hearthstone come?
Oh, waft with sighs the sail from shore,
Oh, smite the bosom, cadencing the oar
That rows beyond the rueful stream for aye
To the far strand,
The ship of souls, the dark,
The unreturning bark
Whereon light never falls nor foot of Day,
Even to the bourne of all, to the unbeholden land.
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External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- To Gnedich poem – Alexander Pushkin
- To The Don poem – Alexander Pushkin
- To Natasha poem – Alexander Pushkin
- To Lily poem – Alexander Pushkin
- To… (Kern) poem – Alexander Pushkin
- To Chadaev poem – Alexander Pushkin
- Thou and You poem – Alexander Pushkin
- The wondrous moment of our meeting… poem – Alexander Pushkin
- The Wish poem – Alexander Pushkin
- The Water-Nymph poem – Alexander Pushkin
- The Upas Tree poem – Alexander Pushkin
- The Talisman poem – Alexander Pushkin
- The Singer poem – Alexander Pushkin
- The Prophet poem – Alexander Pushkin
- The Night poem – Alexander Pushkin
- The Name poem – Alexander Pushkin
- The Flower poem – Alexander Pushkin
- The Drowned Man poem – Alexander Pushkin
- The Dream poem – Alexander Pushkin
- The Vision poem – Alexander Pushkin
More external links (open in a new tab):
Doska or the Board – write anything
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Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.