A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Up and lead the dance of Fate!
Lift the song that mortals hate!
Tell what rights are ours on earth,
Over all of human birth.
Swift of foot to avenge are we!
He whose hands are clean and pure,
Naught our wrath to dread hath he;
Calm his cloudless days endure.
But the man that seeks to hide
Like him (1), his gore-bedewèd hands,
Witnesses to them that died,
The blood avengers at his side,
The Furies’ troop forever stands.
O’er our victim come begin!
Come, the incantation sing,
Frantic all and maddening,
To the heart a brand of fire,
The Furies’ hymn,
That which claims the senses dim,
Tuneless to the gentle lyre,
Withering the soul within.
The pride of all of human birth,
All glorious in the eye of day,
Dishonored slowly melts away,
Trod down and trampled to the earth,
Whene’er our dark-stoled troop advances,
Whene’er our feet lead on the dismal dances.
For light our footsteps are,
And perfect is our might,
Awful remembrances of guilt and crime,
Implacable to mortal prayer,
Far from the gods, unhonored, and heaven’s light,
We hold our voiceless dwellings dread,
All unapproached by living or by dead.
What mortal feels not awe,
Nor trembles at our name,
Hearing our fate-appointed power sublime,
Fixed by the eternal law.
For old our office, and our fame,
Might never yet of its due honors fail,
Though ‘neath the earth our realm in unsunned regions pale.

A few random poems:
- Sic Vos Non Vobis
- Sonnet I. To My Brother George poem – John Keats poems
- A Farewell To Youth poem – Alfred Austin
- The Farmer Of Tilsbury Vale by William Wordsworth
- The Meditation Of The Old Fisherman by William Butler Yeats
- In The Bus That Is Frantically Rushing From Cairo To Port Said
- Light poem – John Milton poems
- Николай Языков – П. Н. Шепелеву (Ты мой приятель задушевной)
- К той, что названа Кариной
- Владимир Маяковский – Гимн взятке
- By The Fire poem – Aldous Huxley poems | Poetry Monster
- Sonnet 52: So am I as the rich whose blessèd key by William Shakespeare
- Prison Souvenirs, Translation of Paul Verlaine’s poem: Prière by T. Wignesan.
- Not Goo Hwome To-Night by William Barnes
- Гавриил Державин – Капнисту
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- The War Films by Sir Henry Newbolt
- The Black Hawk War of the Artists by Vachel Lindsay
- Repression of War Experience by Siegfried Sassoon
- Epitaph On An Army of Mercenaries by A. E. Housman
- CIA Dope Calypso by Allen Ginsberg
- A Day on the Beach of War by Tony Stringfellow
- The Paint-Kings by Washington Allston
- Rosalie by Washington Allston
- On The Luxembourg Gallery by Washington Allston
- Eccentricity by Washington Allston
- Art by Washington Allston
- America To Great Britain by Washington Allston
- Year’s End by Weldon Kees
- The Upstairs Room by Weldon Kees
- The Smiles Of The Bathers by Weldon Kees
- The Furies by Weldon Kees
- The Doctor Will Return by Weldon Kees
- The Bell From Europe by Weldon Kees
- The Beach by Weldon Kees
- Round by Weldon Kees
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.