A poem by Aeschylus (c. 525 – c. 456 Before Christ )
The night was passing, and the Grecian host
By no means sought to issue forth unseen.
But when indeed the day with her white steeds
Held all the earth, resplendent to behold,
First from the Greeks the loud-resounding din
Of song triumphant came; and shrill at once
Echo responded from the island rock.
Then upon all barbarians terror fell,
Thus disappointed; for not as for flight
The Hellenes sang the holy pæan then,
But setting forth to battle valiantly.
The bugle with its note inflamed them all;
And straightway with the dip of plashing oars
They smote the deep sea water at command,
And quickly all were plainly to be seen.
Their right wing first in orderly array
Led on, and second all the armament
Followed them forth; and meanwhile there was heard
A mighty shout: “Come, O ye sons of Greeks,
Make free your country, make your children free,
Your wives, and fanes of your ancestral gods,
And your sires’ tombs! For all we now contend!”
And from our side the rush of Persian speech
Replied. No longer might the crisis wait.
At once ship smote on ship with brazen beak;
A vessel of the Greeks began the attack,
Crushing the stem of a Phoenician ship.
Each on a different vessel turned its prow.
At first the current of the Persian host
Withstood; but when within the strait the throng
Of ships was gathered, and they could not aid
Each other, but by their own brazen bows
Were struck, they shattered all our naval host.
The Grecian vessels not unskillfully
Were smiting round about; the hulls of ships
Were overset; the sea was hid from sight,
Covered with wreckage and the death of men;
The reefs and headlands were with corpses filled,
And in disordered flight each ship was rowed,
As many as were of the Persian host.
But they, like tunnies or some shoal of fish,
With broken oars and fragments of the wrecks
Struck us and clove us; and at once a cry
Of lamentation filled the briny sea,
Till the black darkness’ eye did rescue us.
The number of our griefs, not though ten days
I talked together, could I fully tell;
But this know well, that never in one day
Perished so great a multitude of men.
A few random poems:
- Владимир Маяковский – Солнечный флаг
- Нина Воронель – Мой дед был слепым
- Владимир Вишневский – Кто-то тянется к водному поло
- Stans Puer ad Mensam by Sir Walter Raleigh
- Splenda by Rob Leatherman Sr.
- Николай Гумилев – Маскарад
- Шекспир – Ты положи с моей любовью рядом – Сонет 117
- A Grave by Marianne Moore
- Владимир Британишский – Пароход пришел
- Fancy In Nubibus, Or The Poet In The Clouds by Samuel Taylor Coleridge
- Prologue To Spring by Sylvia Plath
- Омар Хайям – Когда к жизни Любовь меня в мир призвала
- In These Present Times How Worried Should We Be?
- Four Quartets 1: Burnt Norton by T. S. Eliot
- Robert Burns: Hey, The Dusty Miller:
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Love by Robert Creeley
- Kore by Robert Creeley
- I Know A Man by Robert Creeley
- Goodbye by Robert Creeley
- Four Days In Vermont by Robert Creeley
- Clemente’s Images by Robert Creeley
- Ballad Of The Despairing Husband by Robert Creeley
- America by Robert Creeley
- Age by Robert Creeley
- A Wicker Basket by Robert Creeley
- A Token by Robert Creeley
- A Song by Robert Creeley
- Childe Roland To The Dark Tower Came by Robert Browning
- Cavalier Tunes: Marching Along by Robert Browning
- Cavalier Tunes: Give a Rouse by Robert Browning
- By The Fire-Side by Robert Browning
- Boot And Saddle by Robert Browning
- Bishop Blougram’s Apology by Robert Browning
- Before by Robert Browning
- Any Wife To Any Husband by Robert Browning
More external links (open in a new tab):
Doska or the Board – write anything
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Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.