FILL the bowl with rosy wine,
Around our temples roses twine.
And let us cheerfully awhile,
Like the wine and roses smile.
Crown’d with roses we contemn
Gyge’s wealthy diadem.
Today is ours; what do we fear?
Today is ours; we have it here.
Let’s treat it kindly, that it may
Wish, at least, with us to stay.
Let’s banish business, banish sorrow;
To the Gods belongs tomorrow.
A few random poems:
- Beauty
- Николай Тихонов – Баллада о гвоздях
- Song For The Severed Head In `The King Of The Great Clock Tower’ by William Butler Yeats
- Flamenco Flamingo by Ross D Tyler
- Robin Hood And The Butcher poem – Andrew Lang poems
- Sorry by Tom Mukasa
- Омар Хайям – Из края в край мы держим к смерти путь
- Sumter In Ruins by William Gilmore Simms
- After-Thought by William Wordsworth
- Nay Not To Night
- Sancta Maria, Succurre Miseris poem – Amy Lowell poems | Poems and Poetry
- The Conclusion by Sir Walter Raleigh
- The Thousandth Man by Rudyard Kipling
- On A Miser, 2 (From The Greek) by William Cowper
- On Elphinstone’s Translation of Martial’s Epigrams by Robert Burns
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Robert Burns: Scroggam, My Dearie:
- Robert Burns: When She Cam’ Ben She Bobbed :
- Robert Burns: The Weary Pund O’ Tow:
- Robert Burns: Lines On Fergusson, The Poet :
- Robert Burns: I do Confess Thou Art Sae Fair: Alteration of an Old Poem.
- Robert Burns: My Native Land Sae Far Awa:
- Robert Burns: Thou Gloomy December :
- Robert Burns: Behold The Hour, The Boat, Arrive:
- Robert Burns: Ae Fond Kiss, And Then We Sever:
- Robert Burns: O May, Thy Morn:
- Robert Burns: A Grace After Dinner, Extempore:
- Robert Burns: A Grace Before Dinner, Extempore:
- Robert Burns: The Keekin’-Glass:
- Robert Burns: Divine Service In The Kirk Of Lamington:
- Robert Burns: The Toadeater:
- Robert Burns: Poem On Sensibility:
- Robert Burns: The Song Of Death: Scene-A Field of Battle. Time of the day-evening. The wounded and dying of the victorious army are supposed to join in the following song.
- Robert Burns: Second Epistle To Robert Graham, ESQ., Of Fintry:
- Robert Burns: Epistle To John Maxwell, ESQ., Of Terraughty : On His Birthday.
- Robert Burns: O Kenmure’s On And Awa, Willie:
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Abraham Cowley (1618 – 1667), the Royalist Poet.Poet and essayist Abraham Cowley was born in London, England, in 1618. He displayed early talent as a poet, publishing his first collection of poetry, Poetical Blossoms (1633), at the age of 15. Cowley studied at Cambridge University but was stripped of his Cambridge fellowship during the English Civil War and expelled for refusing to sign the Solemn League and Covenant of 1644. In turn, he accompanied Queen Henrietta Maria to France, where he spent 12 years in exile, serving as her secretary. During this time, Cowley completed The Mistress (1647). Arguably his most famous work, the collection exemplifies Cowley’s metaphysical style of love poetry. After the Restoration, Cowley returned to England, where he was reinstated as a Cambridge fellow and earned his MD before finally retiring to the English countryside. He is buried at Westminster Abbey alongside Geoffrey Chaucer and Edmund Spenser. Cowley is a wonderful poet and an outstanding representative of the English baroque.