Say, muse divine, can hostile scenes delight
The warrior’s bosom in the fields of fight?
Lo! here the christian and the hero join
With mutual grace to form the man divine.
In H—–D see with pleasure and surprise,
Where valour kindles, and where virtue lies:
Go, hero brave, still grace the post of fame,
And add new glories to thine honour’d name,
Still to the field, and still to virtue true:
Britannia glories in no son like you.
End of the poem
15 random poems
- Epitaph for Mr. Gabriel Richardson, Brewer by Robert Burns
- Robert Burns: O Can Ye Labour Lea?:
- Robert Burns: The Keekin’-Glass:
- Sonnet LII by William Shakespeare
- Sarah Cynthia Slyvia Stout Would Not Take The Garbage Out by Shel Silverstein
- Lines Written In Dejection by William Butler Yeats
- The Decay Of A People by William Gilmore Simms
- blessing for sound health by matthew scott harris
- How To Get On In Society poem – John Betjeman poems | Poems and Poetry
- The Man Into Whose Yard You Should Not Hit Your Ball by Thomas Lux
- From Milton: And did those feet by William Blake
- Solid, Ironical, Rolling Orb. by Walt Whitman
- She
- Less Than The Cloud To The Wind by Sara Teasdale
- Dawn God039s Sabbath
Some external links:
Duckduckgo.com – the alternative in the US
Quant.com – a search engine from France, and also an alternative, at least for Europe
Yandex – the Russian search engine (it’s probably the best search engine for image searches).
Phillis Wheatley (1753-84), a negro poetess, also an American poet or Afro-American poet, and an English Colonial poet, . She was born in Africa (in Gambia or Senegal) and was aptured by slave traders at the age of eight, she was sold to a family living in Boston, Mass., whose name she bears. While serving as a maid-servant to her proprietor’s wife, she showed an unusual facility with languages. She began writing poetry at the age of thirteen, using as models British poets of the time, especially Alexander Pope and Thomas Gray). In 1773 she accompanied a member of the Wheatley family to England, where she gained widespread attention in literary circles. She subsequently returned to Boston. Her best-known poems are “To the University of Cambridge in New England” (1767), In all honestly Phillis Wheatley should rather be considered English than an Afro-American poet but the exact classification of who she was would depend on the political and cultural views, and biases, of the “classifier.