Whenever war is spoken of
I find
The war that was called Great invades the mind:
The grey militia marches over land
A darker mood of grey
Where fractured tree-trunks stand
And shells, exploding, open sudden fans
Of smoke and earth.
Blind murders scythe
The deathscape where the iron brambles writhe;
The sky at night
Is honoured with rosettes of fire,
Flares that define the corpses on the wire
As terror ticks on wrists at zero hour.
These things I see,
But they are only part
Of what it is that slyly probes the heart:
Less vivid images and words excite
The sensuous memory
And, even as I write,
Fear and a kind of love collaborate
To call each simple conscript up
For quick inspection:
Trenches’ parapets
Paunchy with sandbags; bandoliers, tin-hats.
Candles in dugouts,
Duckboards, mud and rats.
Then, like patrols, tunes creep into the mind:
A long, long trail, The Rose of No-Man’s Land,
Home Fire and Tipperary:
And through the misty keening of a band
Of Scottish pipes the proper names are heard
Like fateful commentary of distant guns:
Passchendaele, Bapaume, and Loos, and Mons.
And now,
Whenever the November sky
Quivers with a bugle’s hoarse, sweet cry,
The reason darkens; in its evening gleam
Crosses and flares, tormented wire, grey earth
Splattered with crimson flowers,
And I remember,
Not the war I fought in
But the one called Great
Which ended in a sepia November
Four years before my birth.


The End

And that’s the End of the Poem

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