A poem by Aeschylus (c. 525 – c. 456 Before Christ )
Now do our eyes behold
The tidings which were told:
Twin fallen kings, twin perished hopes to mourn,
The slayer, the slain,
The entangled doom forlorn
And ruinous end of twain.
Say, is not sorrow, is not sorrow’s sum
On home and hearthstone come?
Oh, waft with sighs the sail from shore,
Oh, smite the bosom, cadencing the oar
That rows beyond the rueful stream for aye
To the far strand,
The ship of souls, the dark,
The unreturning bark
Whereon light never falls nor foot of Day,
Even to the bourne of all, to the unbeholden land.
A few random poems:
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- Юргис Балтрушайтис – Ночная песня
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External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Streets Of Teal by Vaishnavi Prakash
- Shining Armour by Vaishnavi Prakash
- Shallow Valley by Vaishnavi Prakash
- Shadow Overhead by Vaishnavi Prakash
- Rusty Folks by Vaishnavi Prakash
- Quest for Thee by Vanessa Perkins
- Precious Pearl by Vaishnavi Prakash
- Power Of Love by Valentine Mbagu
- Parallel Lies by Vaishnavi Prakash
- Mauve Mittens by Vaishnavi Prakash
- Innocent Steps by Vaishnavi Prakash
- Vaishnavi Prakash – Vaishnavi Prakash
- Gimmick In A Geisha by Vaishnavi Prakash
- False Intimacy by Vaishnavi Prakash
- Eternal Love by Vaishnavi Prakash
- Esteemed Bliss by Vaishnavi Prakash
- Empty Pages by Vaishnavi Prakash
- Daffodil Dreams by Vaishnavi Prakash
- Curse of Righteousness by Vaishnavi Prakash
- Crawling At Sea by Vaishnavi Prakash
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Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Aeschylus (525 Before Christ to 456 B.C.) was an ancient Greek author of Greek tragedy, and is often described as the father of tragedy. Academics’ knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them.