Time fly with greater speed away,
Add feathers to thy wings,
Till thy haste in flying brings
That wished-for and expected Day.
Comfort’s Son we then shall see,
Though at first it darkened be
With dangers yet, those clouds but gone,
Our Day will put his lustre on.
Then though Death’s sad night appear,
And we in lonely silence rest;
Our ravish’d Souls no more shall fear,
But with lasting day be blest.
And then no friends can part us more,
Nor no new death extend its power;
Thus there’s nothing can dissever
Hearts which Love hath joined together.
A few random poems:
- My mother was telling me by Vinko Kalinic
- Nanny’s Cow by William Barnes
- What time are we living in by T. Wignesan
- In a Sombre Mood by Satish Verma
- Ольга Седакова – Ни темной старины заветные преданья
- The Last Redoubt poem – Alfred Austin
- Владимир Высоцкий – Утренняя гимнастика
- In Praise of Their Divorce by Tony Hoagland
- Creative Self Sabotage – 5 Favourite Sabotage Techniques Of Creative Artists & How To Avoid Them
- To a President. by Walt Whitman
- Иван Киуру – Кот и жук
- Sonnet LXXI by William Shakespeare
- Writing to Onegin by Ruth Padel
- Meaning of silence-ness.
- Константин Батюшков – Мечта
External links
Bat’s Poetry Page – more poetry by Fledermaus
Talking Writing Monster’s Page –
Batty Writing – the bat’s idle chatter, thoughts, ideas and observations, all original, all fresh
Poems in English
- Autumn Leaves by Thomas J Camp
- You by Thonda Sri Indrani
- You Will Forget! by Timothy Thomas Fortune
- Written at Stonehenge by Thomas Warton
- Words Of Love Forevermore by Timothy Thomas Fortune
- Why? by Tiffany Ann Monroe
- While Summer Suns O’er the Gay Prospect Play’d by Thomas Warton
- What Is Woman But A Song! by Timothy Thomas Fortune
- We are Africa by Timileyin Gabriel Olajuwon
- Virgule by Thomas Lux
- Verses on Sir Joshua Reynold’s Painted Window at New College, Oxford by Thomas Warton
- Vagueness Petrified by Thonda Sri Indrani
- Unlike, For Example, The Sound Of A Riptooth Saw by Thomas Lux
- Town Planning Agencies by Tilottama Chatterjee
- Torn Shades by Thomas Lux
- The Road That Runs Beside The River by Thomas Lux
- The Pulling Away by Timothy Cole
- The Pleasures of Melancholy by Thomas Warton
- The Man Into Whose Yard You Should Not Hit Your Ball by Thomas Lux
- The Mocking Bird by Timothy Thomas Fortune
More external links (open in a new tab):
Doska or the Board – write anything
Search engines:
Yandex – the best search engine for searches in Russian (and the best overall image search engine, in any language, anywhere)
Qwant – the best search engine for searches in French, German as well as Romance and Germanic languages.
Ecosia – a search engine that supposedly… plants trees
Duckduckgo – the real alternative and a search engine that actually works. Without much censorship or partisan politics.
Yahoo– yes, it’s still around, amazingly, miraculously, incredibly, but now it seems to be powered by Bing.
Parallel Translations of Poetry
The Poetry Repository – an online library of poems, poetry, verse and poetic works
Abraham Cowley (1618 – 1667), the Royalist Poet.Poet and essayist Abraham Cowley was born in London, England, in 1618. He displayed early talent as a poet, publishing his first collection of poetry, Poetical Blossoms (1633), at the age of 15. Cowley studied at Cambridge University but was stripped of his Cambridge fellowship during the English Civil War and expelled for refusing to sign the Solemn League and Covenant of 1644. In turn, he accompanied Queen Henrietta Maria to France, where he spent 12 years in exile, serving as her secretary. During this time, Cowley completed The Mistress (1647). Arguably his most famous work, the collection exemplifies Cowley’s metaphysical style of love poetry. After the Restoration, Cowley returned to England, where he was reinstated as a Cambridge fellow and earned his MD before finally retiring to the English countryside. He is buried at Westminster Abbey alongside Geoffrey Chaucer and Edmund Spenser. Cowley is a wonderful poet and an outstanding representative of the English baroque.